Official Storefront Documentation

Picks: material, thickness and what each one does

Merchant: Yung Chin • New York, NY • Support: [email protected]

Picks are the cheapest variable in the whole signal chain and the one that changes attack most directly. They are also intensely personal, which is why a variety pack is a better first purchase than a hundred of one type.

Thickness

The number in millimetres on the pick is the specification that matters most.

Thin, under about 0.6mm

Flexes noticeably. Produces a bright, clicky attack and a softer note, which suits strumming chords on acoustic. Less controlled for single notes because the flex introduces delay between hand and string.

Medium, around 0.6 to 0.9mm

The general-purpose range. Enough stiffness for single-note work, enough give for strumming. Where most players end up if they are doing a bit of everything.

Heavy, above about 1mm

Barely flexes. All the energy goes into the string, giving a fuller, louder note with a defined attack. Preferred for lead playing, for bass, and by anyone who wants precision.

Heavier picks also produce less pick noise, because the pick is not slapping across the string.

Material

Celluloid is the traditional material: warm, with a distinct click, and it wears relatively quickly. It has a smooth feel that many players prefer, and it comes in the widest range of patterns.

Nylon is grippier and more flexible at a given thickness. Delrin and similar plastics are harder, brighter and hold an edge longer.

Material differences are real but smaller than thickness differences. Someone convinced they need a particular material usually needs a particular thickness.

Shape and tip

Standard shape suits almost everything. Small teardrop shapes give more control for fast single-note work and are harder to hold for strumming. Large triangle shapes are easier to grip and popular with bass players.

Tip sharpness changes attack: a pointed tip is more articulate, a rounded tip is smoother and quieter.

Grip

Picks are dropped because hands sweat. Textured surfaces, raised grips and holes all address this. A cheap alternative is to keep a slightly worn pick — the roughened surface grips better than a new glossy one.

Using picks on bass

Bass strings are thicker and under more tension, so a thin pick flexes uselessly against them. Heavier picks — usually above 1mm — are the norm, and many bass players go considerably heavier again.

How many to buy

Picks are lost constantly. Buying a large multipack is not extravagance; it is the only way to have one when you need one. Keeping a few in the case, a few by the stand and a few in a coat pocket is the practical arrangement.

Practical checks before ordering

  • Buy a variety of thicknesses before settling on one.
  • Prioritise thickness over material.
  • Go heavier for bass and for lead work.
  • Consider grip texture if you drop picks.
  • Buy more than you think you need — they disappear.

How a worn pick changes your playing

Picks wear asymmetrically, because most people strike with the same edge every time. A pick that started rounded develops a flat, and the attack changes with it — usually getting louder and harsher without the player noticing why.

Rotating a pick between its edges as it wears extends its life and keeps the attack consistent. Triangular picks are popular partly for this reason: three usable tips instead of one.

Keeping track of what you use

Once you find a thickness that suits you, write it down. Picks lose their printed markings with use, and after a few months a drawer of picks is indistinguishable by eye.

The practical approach is to settle on one thickness for rhythm and one for lead, buy those in quantity, and stop experimenting until something changes.

Picks and finishes

A dropped pick that lands under the strings and gets dragged across a soundboard will mark it. On an acoustic, a scratchplate is doing a real job, and on an instrument without one it is worth being deliberate about where picks are put down.

Where this sits in the shop

Everything discussed above comes back to one part of the shop: Straps and Picks, which currently holds 2 listings between $8.99 and $21.59. The whole of it is picked and packed at Yung Chin, 1776 Broadway, New York, NY, during Tue–Fri 7:30am–3pm, closed Sat–Mon — so anything written here can be checked by phoning the counter on (212) 582-3626.

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Email [email protected] and you will get a reply within 1 business day, or call (212) 582-3626 during shop hours (Tuesday–Friday 07:30–15:00 · Closed Saturday–Monday).

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Ordering from Yung Chin

Orders of $49.00 or more ship free anywhere in the United States, and a flat $5.99 covers everything below that. Handling takes 1–2 business days and carrier transit is normally 3–7 business days. Unused items can go back within 30 days, and if the mistake was ours we pay the return postage.

Questions about anything above go to [email protected], answered within 1 business day, or call (212) 582-3626. Full detail is on the Shipping Policy and Refund and Returns pages.

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